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MEDIA STUDIES
INSTRUCTOR: NEIL LAZARUS
Lazarus@netvision.net.il
Week 1
"Chewing Gum for the eyes" - Media Studies on the Internet
Information is no longer the prerogative of the political elite.
With cable television and internet widely available to the ordinary
citizen, information accessibility has come of age. The impact
of this new revolution on how we perceive the world in which we
live is only beginning to be comprehended; the possible implications
may well be far reaching. The purpose of the suggested course
is to explore the problem of media, propaganda and persuasion
and to enable the student to develop an ability to counter propaganda's
detrimental affects and utilize its positive potential.
1. What is Propaganda?
An introduction to propaganda, its method and its history.
2. Nazi Propaganda
A study of the Nazi propaganda machine and its portrayal of the
Jew.
3. New Antisemitism: Holocaust Denial
The use of propaganda to deny historical truth.
4. Propaganda and Persuasion II
An examination of the use of state propaganda by the Baath regime
in Iraq.
5. The Creation of "President Rabin" z"l
An analysis of a new syle in the propaganda of the Israeli General
Election of 1992
6. Propaganda in the Israeli General election 1996
An analysis of political propaganda in Israel.
7. Israeli in the Media
An examination of Israel's changing media image.
8. Propaganda on the Internet
Antisemitism in cyberspace. An examination of the Internet as
a means of propaganda and persuasion.
9. Propaganda and Persuasion in the Gulf War
An analysis of ware and the media. How did CNN portray and Gulf
War?
Was it accurate?
10. Creating Propaganda through the Media.1
A training guide to utilizing the media to create a positive image
and organizing a campaign in your community.
11. Creating Propaganda through the Media.2
How to influence people at the work place or in the community
through your own propaganda and persuation.
12. Propaganda and Beyond
What are the implications of propaganda today? Is it's impact
necessarily detrimental? Concluding discussion.
TOWARDS AN UNDERSTANDING OF PROPAGANDA.
It is not easy to arrive at a value free explication of the term
propaganda. Yet without such a definition it would be frivolous
to commence our course. Lacking such a definition, the term propaganda
is easily misused. It becomes either a slanderous description
of the activity of an opponent, whose opinion or activity contradicts
our own, or such an all inclusive term that "everything";(1)
all television commercials, opinions, etc., are considered forms
of propaganda.
Propaganda does not transpire by accident. Integral to a definition
of propaganda is intention. It is an activity initiated for the
purpose of the transmission of challenging ideas, the channeling
of attitude and the reexamination of values. Indeed, propaganda
provides the "link, albeit tenuous, between the propagandist
and his audience." (2)
During our course we will examine not only the means of propaganda,
but the propagandists themselves. By ascertaining (where possible)
the source of propaganda, the aspirations and technique of the
propagandist, the nature of propaganda will become apparent.
A. Huxley describes the propagandist as "a man who canalizes
an already existing stream: in a land where there is not water
he digs in vain." (3) Later in the course we shall examine
the Nazi experience and contribution to propaganda. This tapping,
by the propagandist, of an already existing stream of thought
will become clearer, as will the potential effect of propaganda.
Success is not relevant to a definition of propaganda, nor is unsuccessful
propaganda a contradiction in terms. For propaganda is the intentional
channeling of public attitude, value and belief to create or change
a public opinion desired by the propagandist. Propaganda is essentially
a public affair.
"Propaganda, to be effective, must be seen, remembered, understood
and acted upon...adapted to particular needs of the situation
and the audience to which it is aimed."($) It is "the
deliberate and systematic attempt to change perceptions, manipulate
cognitions and direct behavior to achieve a response that furthers
the desired intent of the propagandist." (5)
It is beneficial to differentiate between three forms of propaganda:
namely white, gray and black propaganda.(6) Propaganda is determined
white when the recipient is cognizant of the derivation of the
propaganda and the content is generally accurate. White propaganda
generally seeks to reemphasize the virtues of the ideology of
the propaganda's source. For example, the BBC World Service could
be considered white propaganda as it perceives itself as not only
a news source but the voice of Britain.
Propaganda can be dtermined gray when the source "may or may
not be correctly identified and the accuracy of the information
is uncertain."(7)
As we shall discuss later in this course, CNN coverage of the Gulf
War quite often moved over into the gray area.
Black propaganda can be described as the "big lie" where
both the source of the broadcast is false as is the content of
its information. Black propaganda often takes the form of disinformation.
We need now to consider, in an historic perspective, the development
of propaganda. For whilst propaganda can be traced to time in
memorial, it will become apparent that propaganda only reached
its full potential with the development of mass media. Indeed,
mass media - press, radio, television and cinema - provide for
the propagandist the means for reaching a mass audience. We will
need to consider in another lecture the impact of the development
of the home computer and the new potential for the spread of propaganda
across the information network.
Propaganda - An historical perspective
The development of propaganda can be seen to advance simultaneously
with the exigency to persuade. An early attempt at persuasion
can be seen in the Greek City States with the development of rhetoric.
Consider the dialogue quoted below between Socrates and Gorgias
in regard to the nature of rhetoric.
"GORGIAS, I mean, Socrates, what is in actual truth the
greatest blessing, which confers on every one who possesses
it not only freedom for himself but also the power of ruling
his fellow-countrymen.
SOCRATES, What do you mean by that?
GORGIAS, I mean the ability to convince by means of speech
a jury in a court of justice, members of the Council in the
Chamber, voters at a meeting of the Assembly, and any other
gathering of citizens whatever it may be. By the exercise
of this ability you will have the doctor and the trainer as
your slaves, and your man of business will turn out to be
making money not for himself but for another; for you, in
fact, who have the ability to speak and to convince the masses.
SOCRATES, Now, Gorgias, I think that you have defined with
great precision what you take the art of oratory to be, and,
if I understand you aright, you are saying that oratory is
productive of conviction, and that this is the be-all and
end-all of its whole activity. Or have you some further power
to ascribe to oratory beyond that of producing conviction
in the souls of its hearers? GORGIAS, No, Socrates; the definition
which you have given seems to be quite adequate; that is the
main point about oratory."(8)
Whilst Greek culture developed the use of sculpture poetry buildings
and music it was Julius Caesar that was, perhaps, the worlds first
master propagandist. Imperial Rome, with its lavish processions,
its use of symbols of power and its use of legend was an early
form of the propaganda state. "veni vidi vici" (I came,
I saw, I conquered) was an early propaganda slogan still remembered
until today.
The development of propaganda was furthered by the rise of Christianity.
In fact, the word propaganda originated from the Latin "congregation
de propaganda fide"translated as congregation for propagating
the faith of the Roman Catholic church. Christianity utilized
a masterful use of images and emotion to ensure that its message
was seen and remembered. The use of parables provided a powerful
and emotional message that was easily comprehended. The symbols
of Christianity: the virgin child, the lion, the lamb and the
cross (replacing the symbol of the fish) ensured a continuity
of the faith.
If propaganda only came of age with the development of mass media,
the development of printing press provided an important benchmark
in the evolution of mass media. It is only in the eighteenth century
which witnessed further development in printing and paper making
that it became increasingly possible to disseminate messages to
a mass audience. Pictures and drawings overcame problems of literacy.
The 'political cartoonist' was to come of age.
In this century of ideological revolution, the need for propaganda
became increasingly more apparent. The high literacy rate in America
facilitated the propagandists in their endeavor. The newspaper
was soon to become an invaluable tool in their armory. The so
called "Boston Massacre" (1870) was perhaps, the first
media story and provided the impetus for numerous media attacks.
Politicians became interested in propaganda as a political weapon
as democracy, and democratic institutions developed. Yet it was
only in the later 19th century and early twentieth century that
the means of mass communication sufficiently developed and with
it a mass society.
Modern propaganda techniques came of age with the First World War.
For the first time it became necessary not only to mobilize a
whole nation behind a common cause, but also to instill hatred
of an enemy whilst retaining domestic support a war effort. The
use of atrocity story and the accusations of massacres and mutilation
were commonly used. The German, was depicted as barbaric in nature,
"a Hun", inhumane and readily executing women and children.
The sinking of Lusitania (7.5.1915) by a German U-boat and the
loss of over one thousand lives reinforced increasingly hostile
attitudes to German and epitomised for the propagandist Germany's
barbarity..
The Bolshevik Revolution of 1917 necessitated a powerful propaganda
network to spread an ideological message.
"But if "we" desire to be front-rank democrats,
we must make it our concern to direct the thoughts of those who
are dissatisfied only with conditions at the university, or in
the Zemstvo, etc., to the idea that the entire political system
is worthless. We must take upon ourselves the task or organizing
an all-round political struggle under the leadership of our Party
in such a manner as to make it possible for all oppositional strata
to render their fullest support to the struggle and to our Party.
We must rain our Social-Democratic practical workers to become
political leaders, able to guide all the manifestations of this
all-round struggle, able at the right time to "dictate a
positive program of action" for the aroused students, the
disoffended elementary schoolteachers, etc., etc. For that reason,
Martynov's assertion that "with regard to these, we can function
merely in the negative role of exposers of abuses... we can only
dissipate their hopes in various government commissions"
is completely false."(9)
The newspaper, for example Iskra, became an important tool of the
revolutionaries. The Bolsheviks however needed a propaganda medium
that was visual in order to overcome language and cultural differences
and revolutionary in itself. Whilst the poster provided a part
solution, it was the cinema that provided a modern means of propaganda
that could appeal to the audience in a crowd and on mass. It was
technological, and symbolized progress. It was the appropriate
propaganda form from the new machine age.
The success of Bolshevik propaganda was not lost on Nazi Germany.
Hitler noted:
"If propaganda has imbued a whole people with an idea, the
organisation can draw the consequences with a handful of men.
Propaganda and organization, in other words, supporters and members,
thus stand in a certain mutual relation. The better the propaganda
has worked, the smaller the organisation can be; and the larger
the number of supporters, the more modest the number of members
can be; and vice versa: the poorer the propaganda is, the larger
the organization must be, and the smaller the host of followers
of a movement remains, the more extensive the number of its members
must be, if it still hopes to count on any success at all."(10)
The impact and organization of Nazi propaganda will be discussed
in a later lecture. Yet as allied troops liberated the death camps,
the influence of propaganda, its ability to direct and channel
hatred became clear through the emaciated figures of the survivors
of Nazism. Propaganda closes minds, education opens them. My purpose
in this course in the study of propaganda is to limit it pernicious
affects.
1.DREINCOURT J., 'La Propaganda Nouveille force politique';
Paris 1950 p.18. Quoted in R. Taylor "Film Propaganda
- Soviet Russia and Nazi Germany'; Croomhelm, London 1989;
p.19
2.TAYLOR R., Ibid; pp.20-21
3.HUXLEY A., 'Notes on Propaganda'; Harpers Monthly Magazine,
Vol. 234; Decenber 1936, p.34-39; Quoted R. Taylor Ibid, p.23
4.QUALTER T.N., 'Propaganda and Psychological Warfare';
New York Random House, 1962, p.12. Quoted in JOWETT G.S. &
O'DONNELL V., 'Propaganda and Persuasion'; SAGE Publications,
England 1986; p.16
5.JOWETT G.S. & O'DONNELL V., Ibid; p.16
6.See JOWETT G.S. & O'DONNELL V., Ibid; pp. 17-19;
for a further explanation of these three forms of propaganda
7.Ibid p.17
8.'Plato. Gorgias'; Penguin Classics, 1985; p0.25
9.LENIN, I., 'What is to be done"; Central Books,
London; 1978; 0.85
10.HITLER, A., 'Mein Kampf'; Hutchinson, 1985; p.530
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14/4/1999 |